Artist's Statement
As I navigate the complexities of contemporary society, I am deeply engaged in exploring the interplay of senses and crafting a novel artistic entity through the interactions between sound and vision. My experiments, occurring at the confluence of nature and technology, are forging a new realm of art that surpasses the confines of traditional forms. This approach has been profoundly exhibited in my exhibitions 'Three Pieces' in Berlin and 'Intuition' in Iceland.
In 'Three Pieces: Untitled 2', I endeavoured to connect with the audience through a subtle visual language crafted from repetitive actions. Through this process, the audience is elevated from mere spectators to active participants in the artistic creation. 'Three Pieces: Untitled 1' features an interactive sound and visual installation utilising sensors, polycarbonate, copper, and wires, enabling the audience to uncover hidden dimensions by physically interacting with the artwork. The tactile engagement of the audience is translated through algorithmic composition into diverse visual patterns, subsequently projected onto bespoke 3D polycarbonate structures.
These experiences allow the audience to directly perceive the potential for technology to transcend its role as a mere tool and become a conduit for artistic expression. This bridging of the divide between technology and art affords each viewer a bespoke artistic experience, aiding them in discovering their own unique insights through the artwork and forging new connections with the world in which we reside. Art transcends technological advancements to re-establish a fundamental connection with nature. Through this bond, we seek a richer and more meaningful existence. This artistic pursuit is a continually evolving journey, on which I eagerly anticipate growing, learning, and evolving alongside my peers.
HWANYUN